The song “Boot Scootin’ Boogie” is a staple in the country world. Texas honky tonks in particular love to put on the song any time there’s a bit of a lull in the crowd. Because as soon as they do, folks know exactly how to dance to it.
But did you know the song synonymous with country duo Brooks & Dunn actually had life before the duo? Or that there’s actual choreography (and an actual choreographer) to the line dance?
The song that reinvigorated line dancing in the 1990s and launched a global craze, spanning multiple genres, looking to cash in on the club favorites.
READ MORE: 10 Best Line Dancing Songs of All Time
Ray Benson Loves to Boogie
Asleep At The Wheel frontman Ray Benson clearly loves to boogie — there’s no arguing that. Between their early songs like “Choo Choo Boogie” and “Bump, Bounce, Boogie” and one of their biggest hits, “Boogie Back To Texas,” the band has the dance covered.
So you shouldn’t be too surprised to learn Asleep At The Wheel actually released “Boot Scootin’ Boogie” before Brooks & Dunn did. The track was featured on their 1990 album Keepin’ Me Up Nights.
And that’s the version that choreographer Bill Bader first heard — despite it never being a single. In Bader’s own words, he was initially intrigued by the title. “I bought the Asleep At The Wheel tape hoping that this song, with such a good name for a line dance, would be suitable for a line dance,” he writes in a brief synopsis.
It turns out he was right — but it took a hot new country duo to really bring it to life.
Brand New Boogie
Here’s one of the more interesting things about the song. Though Asleep At The Wheel recorded it first, Brooks & Dunn actually had it first. That’s because Ronnie Dunn is the sole writer on the tune and he wrote it before the duo even existed.
Back in the 1980s, Dunn struggled with significantly moving the needle in his solo career, but still found success as a writer. When he eventually teamed up with Kix Brooks, the pair’s chemistry and a handful of recorded demos landed them a contract with Arista Records.
They recorded “Boot Scootin’ Boogie” for their debut album Brand New Man, and after three No. 1 singles, the pair released it as the fourth single in May 1992. It didn’t take long to go No. 1.
And thanks to the music video, the line dance caught on like wildfire, sweeping across honky tonks.
A Line Dance for the Common Man
In the 1980s, Urban Cowboy helped reinvigorate and spread the concept of honky tonking. But all the dances seem far too difficult and far too choreographed for common folks. “Boot Scootin’ Boogie” had such amazing success because of how simple it is.
It’s called a “four wall” line dance with 32 counts. Aside from a few claps, your hands remain right by your hips and your feet do all the work. Young folks, old folks, and everyone in between can do it.
So much so, in fact, that it was used every time to set the record for World’s Largest Line Dance from 1996-2000. When Billy Ray Cyrus released the video for “Achy Breaky Heart” in the same year, it borrowed much of steps from “Boot Scootin’ Boogie.” Together, the two songs helped spread western line dancing across the globe.
Suddenly, at the height of grunge and Generation X blasé, line dancing was cool again. Or at least popular.
An International Craze
Pretty soon, tons of genres started cashing in on the line dance craze. Arguably the most recognizable (and most hated) song of the 1990s, the Bayside Boys remix of “Macarena” features choreography inspired by the line dances that spread like wildfire a few years earlier.
Other dances that borrowed from the “Boot Scootin’ Boogie” include the “Swamp Thang,” which was basically the English EDM version, and “5, 6, 7, 8” by The Steps and the “Cha Cha Slide,” which wasn’t actually a Cha Cha. Even an ad by The Gap couldn’t kill the line dance craze.
Even now, line dances crop up in all kinds of ways.
Guess what, kids. You’ve been duped into doing the “Boot Scootin’ Boogie” in some form or fashion. Don’t believe me? “Cupid Shuffle” and “The Wobble” are two of the most popular group dance songs of the past 15 years. Their popularity draws back immediately to the early 1990s.
So thanks, Ronnie Dunn, for writing a song that sounded like something Bill Braden could choreograph a dance to. You gave millions of kids who don’t know how to dance a way to look like they know what they’re doing at their high school prom.